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23.02.2018

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THAT’S HOW WE DO IT HERE #149 – THE DRAGON OF THE JOHNSON’S CAMPAIGN

THAT’S HOW WE DO IT HERE #149 – THE DRAGON OF THE JOHNSON’S CAMPAIGN

23.02.2018

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08.02.2018

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THAT’S HOW WE DO IT HERE #146 – THE COMPOSITING WORK FOR 13 DAYS FAR FROM THE SUN

THAT’S HOW WE DO IT HERE #146 – THE COMPOSITING WORK FOR 13 DAYS FAR FROM THE SUN

08.02.2018

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07.02.2018

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ADVERTISING MEETS SPECIAL EFFECTS – THE OGRE AND THE PRESTIGE OF FABIO ROSSI

ADVERTISING MEETS SPECIAL EFFECTS – THE OGRE AND THE PRESTIGE OF FABIO ROSSI

07.02.2018

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10.01.2018

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THAT’S HOW WE DO IT HERE #140 – 13 DAYS FAR FROM THE SUN

THAT’S HOW WE DO IT HERE #140 – 13 DAYS FAR FROM THE SUN

10.01.2018

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08.01.2018

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THE EFFECTS OF 13 DAYS FAR FROM THE SUN – IN UOL | 1/5/2018

THE EFFECTS OF 13 DAYS FAR FROM THE SUN – IN UOL | 1/5/2018

08.01.2018

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18.12.2017

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O2 – RIO DE JANEIRO

O2 – RIO DE JANEIRO

18.12.2017

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01.11.2017

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LITTLE HAUNTED STORIES THE FILM: IN POST-PRODUCTION AT O2

LITTLE HAUNTED STORIES THE FILM: IN POST-PRODUCTION AT O2

01.11.2017

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30.10.2017

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REJANE BICCA AND IGOR KUPSTAS IN MEDIA IN FOCUS

REJANE BICCA AND IGOR KUPSTAS IN MEDIA IN FOCUS

30.10.2017

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26.10.2017

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THE EFFECTS FOR PLUFT, THE LITTLE GHOST

THE EFFECTS FOR PLUFT, THE LITTLE GHOST

26.10.2017

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12.09.2017

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RUST IN POST-PRODUCTION AT O2

RUST IN POST-PRODUCTION AT O2

12.09.2017

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15.08.2017

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THE POST-PRODUCTION FOR MALASARTES – FEDERICO DEVITO

THE POST-PRODUCTION FOR MALASARTES – FEDERICO DEVITO

15.08.2017

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10.08.2017

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G1 CINEMA – 8/10/17

G1 CINEMA – 8/10/17

10.08.2017

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09.08.2017

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THE LAYOUT, MODELING AND LIGHTING OF MALASARTES AND THE DUEL WITH DEATH

THE LAYOUT, MODELING AND LIGHTING OF MALASARTES AND THE DUEL WITH DEATH

09.08.2017

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08.08.2017

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THE PROLOGUE AND CREDITS FOR MALASARTES AND THE DUEL WITH DEATH

THE PROLOGUE AND CREDITS FOR MALASARTES AND THE DUEL WITH DEATH

08.08.2017

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07.08.2017

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3D ANIMATION OF MALASARTES AND THE DUEL WITH DEATH

3D ANIMATION OF MALASARTES AND THE DUEL WITH DEATH

07.08.2017

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26.07.2017

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UNDER THE VEIL OF OCEAN LIFE / BEST BRAZILIAN SHORT FILM AT ANIMA MUNDI – II

UNDER THE VEIL OF OCEAN LIFE / BEST BRAZILIAN SHORT FILM AT ANIMA MUNDI – II

26.07.2017

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24.07.2017

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THAT’S HOW WE DO IT HERE #127 – COMPOSITING IN MALASARTES II

THAT’S HOW WE DO IT HERE #127 – COMPOSITING IN MALASARTES II

24.07.2017

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24.07.2017

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UNDER THE VEIL OF OCEAN LIFE BY QUICO WINS AWARD AT ANIMA MUNDI

UNDER THE VEIL OF OCEAN LIFE BY QUICO WINS AWARD AT ANIMA MUNDI

24.07.2017

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21.07.2017

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THAT’S HOW WE DO IT HERE #125 – COMPOSITING IN MALASARTES I

THAT’S HOW WE DO IT HERE #125 – COMPOSITING IN MALASARTES I

21.07.2017

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14.06.2017

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FABIO R. SCIEDLARCZYK WINS PIXAR AWARD

FABIO R. SCIEDLARCZYK WINS PIXAR AWARD

14.06.2017

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08.05.2017

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THAT’S HOW WE DO IT HERE #111 – THE PROLOGUE OF MALASARTES II

THAT’S HOW WE DO IT HERE #111 – THE PROLOGUE OF MALASARTES II

08.05.2017

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04.05.2017

Cinema and TV, O2 Post

THAT’S HOW WE DO IT HERE #110 – THE PROLOGUE OF MALASARTES

THAT’S HOW WE DO IT HERE #110 – THE PROLOGUE OF MALASARTES

04.05.2017

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24.04.2017

O2 Post

PAULO BARCELOS ON NABSHOW

PAULO BARCELOS ON NABSHOW

24.04.2017

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11.04.2017

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THAT’S HOW WE DO IT HERE #108 – CREATING AN OPENING SEQUENCE

THAT’S HOW WE DO IT HERE #108 – CREATING AN OPENING SEQUENCE

11.04.2017

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05.04.2017

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THAT’S HOW WE DO IT HERE #107 – CHALLENGES OF ANIMATION

THAT’S HOW WE DO IT HERE #107 – CHALLENGES OF ANIMATION

05.04.2017

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31.03.2017

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THAT’S HOW WE DO IT HERE #106 – CREATING AN ANIMATION SOUNDTRACK

THAT’S HOW WE DO IT HERE #106 – CREATING AN ANIMATION SOUNDTRACK

31.03.2017

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24.03.2017

Home, O2 Post, O2 Play

THE PASSAGE IN THEATERS

THE PASSAGE IN THEATERS

24.03.2017

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20.03.2017

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THAT’S HOW WE DO IT HERE #101 – LIGHTING IN MALASARTES

THAT’S HOW WE DO IT HERE #101 – LIGHTING IN MALASARTES

20.03.2017

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22.02.2017

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FILIPPO’S FILM

FILIPPO’S FILM

22.02.2017

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15.02.2017

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THAT’S HOW WE DO IT HERE #96 – 3D SETS FOR MALASARTES

THAT’S HOW WE DO IT HERE #96 – 3D SETS FOR MALASARTES

15.02.2017

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10.02.2017

Home, O2 Post

EX-INTERN ELIRONE – JUNIOR COMPOSITOR

EX-INTERN ELIRONE – JUNIOR COMPOSITOR

10.02.2017

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02.02.2017

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3D ANIMATION COURSE

3D ANIMATION COURSE

02.02.2017

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12.01.2017

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THAT’S HOW WE DO IT HERE #91 – INVISIBLE EFFECTS IN MALASARTES

THAT’S HOW WE DO IT HERE #91 – INVISIBLE EFFECTS IN MALASARTES

12.01.2017

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05.01.2017

Cinema and TV, O2 Post

THAT’S HOW WE DO IT HERE #89 – THE ANIMATION OF MALASARTES II

THAT’S HOW WE DO IT HERE #89 – THE ANIMATION OF MALASARTES II

05.01.2017

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20.12.2016

O2 Post

PLUFT, THE LITTLE GHOST AT O2 POST-PRODUCTION

PLUFT, THE LITTLE GHOST AT O2 POST-PRODUCTION

20.12.2016

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14.12.2016

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THAT’S HOW WE DO IT HERE #86 – THE ANIMATION OF MALASARTES

THAT’S HOW WE DO IT HERE #86 – THE ANIMATION OF MALASARTES

14.12.2016

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12.12.2016

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MY MOM IS A CHARACTER 2 – PREVIEW

MY MOM IS A CHARACTER 2 – PREVIEW

12.12.2016

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09.12.2016

Home, Cinema and TV, O2 Post, Other Screens

VR AND O2

VR AND O2

09.12.2016

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08.12.2016

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COMIC CON / O2 – RESULTS

COMIC CON / O2 – RESULTS

08.12.2016

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06.12.2016

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THE DREAMSELLER – POST-PRODUCTION AT O2

THE DREAMSELLER – POST-PRODUCTION AT O2

06.12.2016

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22.11.2016

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THAT’S HOW WE DO IT HERE #80 – COLOR AND COMPOSITING

THAT’S HOW WE DO IT HERE #80 – COLOR AND COMPOSITING

22.11.2016

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31.10.2016

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“ESSENCE” – BENDICTA

“ESSENCE” – BENDICTA

31.10.2016

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17.10.2016

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O2 POST-PRODUCTION INTERNET – THE FILM

O2 POST-PRODUCTION INTERNET – THE FILM

17.10.2016

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10.10.2016

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O2 TIP – OCULUS CONNECT

O2 TIP – OCULUS CONNECT

10.10.2016

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26.07.2016

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THAT´S HOW WE DO IT HERE #47 – VIRTUAL REALITY

THAT´S HOW WE DO IT HERE #47 – VIRTUAL REALITY

26.07.2016

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25.07.2016

O2 Post

O2 AT SIGGRAPH 2016

O2 AT SIGGRAPH 2016

25.07.2016

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15.07.2016

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THAT´S HOW WE DO IT HERE #45 – GAMES

THAT´S HOW WE DO IT HERE #45 – GAMES

15.07.2016

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13.07.2016

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THAT´S HOW WE DO IT HERE #44 – POST-PRODUCTION FOR SURIÁ

THAT´S HOW WE DO IT HERE #44 – POST-PRODUCTION FOR SURIÁ

13.07.2016

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News

THAT’S HOW WE DO IT HERE #149 – THE DRAGON OF THE JOHNSON’S CAMPAIGN

THAT’S HOW WE DO IT HERE #149 – THE DRAGON OF THE JOHNSON’S CAMPAIGN

THAT’S HOW WE DO IT HERE #146 – THE COMPOSITING WORK FOR 13 DAYS FAR FROM THE SUN

THAT’S HOW WE DO IT HERE #146 – THE COMPOSITING WORK FOR 13 DAYS FAR FROM THE SUN

ADVERTISING MEETS SPECIAL EFFECTS – THE OGRE AND THE PRESTIGE OF FABIO ROSSI

ADVERTISING MEETS SPECIAL EFFECTS – THE OGRE AND THE PRESTIGE OF FABIO ROSSI

THAT’S HOW WE DO IT HERE #140 – 13 DAYS FAR FROM THE SUN

THAT’S HOW WE DO IT HERE #140 – 13 DAYS FAR FROM THE SUN

THE EFFECTS OF 13 DAYS FAR FROM THE SUN – IN UOL | 1/5/2018

THE EFFECTS OF 13 DAYS FAR FROM THE SUN – IN UOL | 1/5/2018

O2 – RIO DE JANEIRO

O2 – RIO DE JANEIRO

LITTLE HAUNTED STORIES THE FILM: IN POST-PRODUCTION AT O2

LITTLE HAUNTED STORIES THE FILM: IN POST-PRODUCTION AT O2

REJANE BICCA AND IGOR KUPSTAS IN MEDIA IN FOCUS

REJANE BICCA AND IGOR KUPSTAS IN MEDIA IN FOCUS

THE EFFECTS FOR PLUFT, THE LITTLE GHOST

THE EFFECTS FOR PLUFT, THE LITTLE GHOST

RUST IN POST-PRODUCTION AT O2

RUST IN POST-PRODUCTION AT O2

THE POST-PRODUCTION FOR MALASARTES – FEDERICO DEVITO

THE POST-PRODUCTION FOR MALASARTES – FEDERICO DEVITO

G1 CINEMA – 8/10/17

G1 CINEMA – 8/10/17

THE LAYOUT, MODELING AND LIGHTING OF MALASARTES AND THE DUEL WITH DEATH

THE LAYOUT, MODELING AND LIGHTING OF MALASARTES AND THE DUEL WITH DEATH

THE PROLOGUE AND CREDITS FOR MALASARTES AND THE DUEL WITH DEATH

THE PROLOGUE AND CREDITS FOR MALASARTES AND THE DUEL WITH DEATH

3D ANIMATION OF MALASARTES AND THE DUEL WITH DEATH

3D ANIMATION OF MALASARTES AND THE DUEL WITH DEATH

UNDER THE VEIL OF OCEAN LIFE / BEST BRAZILIAN SHORT FILM AT ANIMA MUNDI – II

UNDER THE VEIL OF OCEAN LIFE / BEST BRAZILIAN SHORT FILM AT ANIMA MUNDI – II

THAT’S HOW WE DO IT HERE #127 – COMPOSITING IN MALASARTES II

THAT’S HOW WE DO IT HERE #127 – COMPOSITING IN MALASARTES II

UNDER THE VEIL OF OCEAN LIFE BY QUICO WINS AWARD AT ANIMA MUNDI

UNDER THE VEIL OF OCEAN LIFE BY QUICO WINS AWARD AT ANIMA MUNDI

THAT’S HOW WE DO IT HERE #125 – COMPOSITING IN MALASARTES I

THAT’S HOW WE DO IT HERE #125 – COMPOSITING IN MALASARTES I

FABIO R. SCIEDLARCZYK WINS PIXAR AWARD

FABIO R. SCIEDLARCZYK WINS PIXAR AWARD

THAT’S HOW WE DO IT HERE #111 – THE PROLOGUE OF MALASARTES II

THAT’S HOW WE DO IT HERE #111 – THE PROLOGUE OF MALASARTES II

THAT’S HOW WE DO IT HERE #110 – THE PROLOGUE OF MALASARTES

THAT’S HOW WE DO IT HERE #110 – THE PROLOGUE OF MALASARTES

PAULO BARCELOS ON NABSHOW

PAULO BARCELOS ON NABSHOW

THAT’S HOW WE DO IT HERE #108 – CREATING AN OPENING SEQUENCE

THAT’S HOW WE DO IT HERE #108 – CREATING AN OPENING SEQUENCE

THAT’S HOW WE DO IT HERE #107 – CHALLENGES OF ANIMATION

THAT’S HOW WE DO IT HERE #107 – CHALLENGES OF ANIMATION

THAT’S HOW WE DO IT HERE #106 – CREATING AN ANIMATION SOUNDTRACK

THAT’S HOW WE DO IT HERE #106 – CREATING AN ANIMATION SOUNDTRACK

THE PASSAGE IN THEATERS

THE PASSAGE IN THEATERS

THAT’S HOW WE DO IT HERE #101 – LIGHTING IN MALASARTES

THAT’S HOW WE DO IT HERE #101 – LIGHTING IN MALASARTES

FILIPPO’S FILM

FILIPPO’S FILM

THAT’S HOW WE DO IT HERE #96 – 3D SETS FOR MALASARTES

THAT’S HOW WE DO IT HERE #96 – 3D SETS FOR MALASARTES

EX-INTERN ELIRONE – JUNIOR COMPOSITOR

EX-INTERN ELIRONE – JUNIOR COMPOSITOR

3D ANIMATION COURSE

3D ANIMATION COURSE

THAT’S HOW WE DO IT HERE #91 – INVISIBLE EFFECTS IN MALASARTES

THAT’S HOW WE DO IT HERE #91 – INVISIBLE EFFECTS IN MALASARTES

THAT’S HOW WE DO IT HERE #89 – THE ANIMATION OF MALASARTES II

THAT’S HOW WE DO IT HERE #89 – THE ANIMATION OF MALASARTES II

PLUFT, THE LITTLE GHOST AT O2 POST-PRODUCTION

PLUFT, THE LITTLE GHOST AT O2 POST-PRODUCTION

THAT’S HOW WE DO IT HERE #86 – THE ANIMATION OF MALASARTES

THAT’S HOW WE DO IT HERE #86 – THE ANIMATION OF MALASARTES

MY MOM IS A CHARACTER 2 – PREVIEW

MY MOM IS A CHARACTER 2 – PREVIEW

VR AND O2

VR AND O2

COMIC CON / O2 – RESULTS

COMIC CON / O2 – RESULTS

THE DREAMSELLER – POST-PRODUCTION AT O2